black moons in those eyes of hers
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fuckyeahtudorwomen:

born—to—resist:

CHARLES BRANDON & MARY TUDOR married on 13 may 1515 at Greenwich Hall (after being married in secret on 5 march 1515)
78 ☽

She was like a forest, like the dark interlacing of the oakwood, humming inaudibly with myriad unfolding buds. Meanwhile the birds of desire were asleep in the vast interlaced intricacy of her body.

— D. H. Lawrence, Lady Chatterley’s Lover
1063 ☽
loverofbeauty:

Bronzino, detail, Portrait of a Young Man (1530s)
(Source: c0ssette)
109 ☽
arcadiaart:

Atelier de Joseph-Marie Vien (French, 1716-1809), “Vénus au bain”.
163 ☽
scrollofthoth:


Charles-Emile-Auguste Durand, Carolus-Duran (1837 - 1917) - Vision, 1883

Ave Babalon
640 ☽

Temptation of St. Anthony, Paolo Veronese, ca. 1533
669 ☽
colourthysoul:

Franz von Lenbach – Schlangenkönigin
116 ☽
1560 ☽

Make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservation, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man’s living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun. If you want to get more out of life, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty.

— Into The Wild
1908 ☽
necspenecmetu:

Gaetano Gandolfi, Venus in the Forge of Vulcan, c. 1770-5
747 ☽
123 ☽
tierradentro:

Detail from Caravaggio’s “Supper at Emmaus”, 1601-02.
177 ☽
cavetocanvas:

Jusepe de Ribera, St. Jerome and the Angel, 1637
188 ☽
welovepaintings:

Joshua Reynolds (1723-1792)Portrait Of Mrs. Siddons As The Tragic MuseOil on canvas1784
264 ☽
cavetocanvas:

Jusepe de Ribera, Aristotle, 1637
From the Indianapolis Museum of Art:

Ribera’s image of Aristotle is one of a series of six imaginary portraits of ancient philosophers commissioned in 1636 by the prince of Liechtenstein. Ribera’s conception of Aristotle as an ordinary man wearing a scholar’s skullcap and a ragged robe, a “beggar philosopher,” is a type that enjoyed great popularity in the 17th century. The artist’s direct, naturalistic style and his dramatic use of light, both of which derive from the Italian Baroque master Caravaggio, combine to create a powerful evocation of a philosopher deep in thought.
Jusepe de Ribera, born in the Valencian town of Játiva in 1591, spent his entire career in Italy, principally in Naples, which was then governed by Spanish viceroys. He frequently asserted his Spanish nationality, as he does in this painting, by adding the word “español” to his signature. In 1618, the year Ribera received his first commission from the Spanish viceroy, the artist Ludovico Carracci wrote with admiration of the “young Spaniard working in the manner of Caravaggio.” The bold Caravaggesque naturalism of Ribera’s work is enhanced by his achievement of a more tactile sense of physical presence, readily seen in the thickly brushed lines and creases of his philosopher’s worn face and coarse hands.
148 ☽
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